The room is dominated by the French bed with canopy that has a lampas blanket in light blue and pink silk from the 18th century. At the sides are two Rococo bedside tables with walnut-root inlays and brass decorations.
The dressing table next to the window, which is covered with 18th-century lace and silk and flanked by a silk parasol curiously mounted on a long pole inserted inside an antique stone capital, is a reconstruction by Guglielmo Coronini, who drew inspiration from the portrait of a lady exhibited a little further up.
The painting, signed by the painter Johann Daniel Donat (1744-1830) and dated 1781, depicts Charlotte Cobenzl sitting in the intimate disorder of her bedroom. The same artist is also responsible for the other portraits, with similar dimensions and frames, depicting some illustrious members of the Cobenzl family.
On the other side of the window is a Venetian Rococo sideboard, lacquered with polychrome decorations, on which there is a Berlin porcelain clock, two candlesticks and two bronze statuettes of peasants.
On the opposite wall is a richly carved and gilded wooden console table, featuring sumptuous antique-inspired ornamentation which recalls the neoclassical taste in vogue in the final quarter of the 18th century.
On the marble top, which is not original, is a bust representing the young general Napoleon Bonaparte, created between 1796 and 1797 by the sculptor Giuseppe Ceracchi (1751-1802). Above is a blown Murano glass mirror from the same period.
To the right, there is a Louis XVI-style drawing room, covered with tapestry embroidered in petit point, surmounted by the large Portrait of Countess Maria Luisa Lantieri Wagensperg.
Remembered by Casanova, friend of Herder and Goethe, the noblewoman is depicted here with her daughters Aloisa and Amalia, mother of Michele Coronini Cronberg. On the sides are two pastel portraits of Countess Carolina Sofia Cobenzl born Countess Rindsmaul and her daughter Maria Theresa Cobenzl.
